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the becoming of an artist

has a journey of becoming one.

2025

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Filmmaker | 
Creative Director |

Treatment Note Writer

Working on |
experimental visual art
Other Short films ( ideation stage)

AN
ARTIST ALWAYS
PERFORMING

t o d a y.

07

2023

Joins Furrcrew, 
a pet start up brand as a 

creative director.

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Tv commercials filmmaker |

Treatment Note Writer |

B Unit Director |


Dead fish wins Dedo Film Festival |

Dead Fish Post Production |

Camera Assistant and Operator

Back to India

06

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05

04

Dead Fish is Shot.

First Short film | Experimental genre

2018 - 2020

BEGINS THE JOURNEY OF EXPERIMENTAL FILMMAKING.

2021

Film School |
Prague Film School 

Diploma in Cinematography.
Shot over 7 films of other directors as school projects.

Tv commercials filmmaker |

Treatment Note Writer |

B Unit Director |

Director's Assistant.

A CONNECT WITH THE SOUL OF ASPIRATIONS.

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Directed First Commercial | 
Treatment Note Writer |

Director's Assistant.

THE JOURNEY TOWARDS DIRECTING BEGINS.

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2014 - 2016

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2016 - 2018

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the beginning

2012 - 2014

03

02

01

00

Studying | 
Bachelors in Media and Studies (graduated)

Intern Cinematographer |
Feature Film | 2 States
Cinematographer | Binod Pradhan
Production House | Dharma Productions

Costume Assistant
Feature film | Gabbar is Back
Director | Krish
Production House | Sanjay Leela Bhansali

Directors Assistant (over 20 commercials )

2nd Assistant Director ( Over 20 commercials)

Chief Assistant Director ( Over 5 commercials)

Treatment note writer

2nd Assistant Director |
Neerja Film music video | Aankhen milayenge darr see
Director | Ram Madhvani
Production House | Atul Kasbekar​

Internships |

Femina Magazine, Pune | Photographer

Viacom 18| Operations

NGOs |

School of the challenged, Rajkot

Udaan Ghar, Mumbai

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BEGINS THE JOURNEY OF DIRECTING.

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adulthood

what makes her an artist?

Going from a professional tennis player to a filmmaker isn't a natural career progression. It's what happens when you decide hitting balls is boring and a better use of your time is to hit creative burnout instead. My journey began at Symbiosis Institute of Media Studies, where I racked up internships at two NGOs, Viacom18, Dharma Productions, and as a photographer at Femina magazine. This convinced me, a young, naive kid, that I was ready for the real world. I was. I really was. hehe.

My first two gigs as an assistant director were so uninspiring I promptly switched to advertising. It was there I climbed the ladder from 3rd AD to Director's Assistant. That last role was the sweet spot—it gave me all the creative perks with none of the actual responsibility. After two years of coasting, I directed my first commercial, and my dog-mom journey began. It was a direct client gig, and it was so good, it made the original pitch look like a rough draft scrawled on a napkin. You know you're doing something right when your work is better than the inspiration.

I kept directing, and for a short time, worked as a B-unit director, because apparently, I enjoy masochism. Then, in a brilliant move that no sane person would make, I packed up my tiny furry dog and moved to Prague for a year. I got a diploma in cinematography at Prague Film School and discovered the experimental genre. Finally, a place where my weird ideas could be considered art. I made Dead Fish, my first short film, which got us 19th place in the Dedo Light competition. A triumph, I'm sure you'll agree.​

I came back to India with a film diploma, a renewed sense of purpose, and a new job as the mother of 12 rescue cats and dogs. My love for furry creatures and my advertising skills caught the attention of a pet app startup, which hired me as a Creative Director. For two years, I had the pleasure of redesigning their entire marketing strategy, building teams from the ground up, and generally making them look good. Now that my job is done, I'm back to being a freelance filmmaker, mother of a small dog army, and a professional scriptwriter for my next big project. I've got a few screws loose, but now they're creatively arranged.​

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